发表自话题:Soul正式递交招股书
原标题:我的生命邀请书(蓬蒿持股邀请书) 第75封 — 给侯璎珏
我的生命邀请书(蓬蒿持股邀请书)
第75封 — 给侯璎珏
亲爱的璎珏:
你好。
给你写这封信,是正式邀请你,加入蓬蒿有限合伙企业持股计划。
这是我的第七十五封生命邀请函(蓬蒿持股邀请函)。
给你写这封邀请函,写得我心里发疼。
你毕业于北京电影学院2001级表演系本科,王珞丹、贾乃亮等的同学。
十多年来,你饰演过太多的影视角色,《英雄时代》的勐康;《谁来伺候妈》的王茜;《密战峨嵋》的白玉兰;《生死相依》的沈芮.....。
我们初识是在今年九月,第八届“北京·南锣鼓巷戏剧节”,大野庆人的“舞踏”工作坊上。
当时我们匆匆打了招呼,我只记住了你削弱瘦长的身材,和那一双大大的充斥着能读得出温暖忧郁的眼睛。
再往后,是这个月初,你编剧并主演的话剧《后日之后》,在蓬蒿剧场、在第八届北京南锣鼓巷戏剧节文学单元演出。
如果不是那天晚上,你的师兄富大龙,来蓬蒿看我,碰巧知道你当晚演出并留下观看,之后我们做了深入些的交谈,或许我们还不会交流那么多。
《后日之后》,是一部生命思考非常深入的作品,那是你含着泪含着暖含着爱的自身生命写照。
演出完第二天,你急着联系我,想见我,想告诉我,你迫切地想建一个自己的剧团,更多回归舞台创作演出的愿望。
我告诉了你这其中的所有的艰难,告诉你要做好所有的准备。
你说希望今后有更多机会在蓬蒿呈现。
你说万一自己的剧团公司不好获批,希望蓬蒿能代为出品报批。
我一连说了几个责无旁贷。
我也顺便向你提起了邀请加入蓬蒿持股的事情,邀请你一起保卫蓬蒿,你爽快答应。
但随后不久,我的心疼了。
因为随着我们交谈的深入,我知道了你更多的在艺术坚守、灵魂坚守、生命坚守上的无比艰难。
这种灵魂坚守,是在我常说的,我们大家目前都身同所处的,这样一个劣质、谎言、肮脏到一个无以复加的生存环境中和艺术环境中。
你的经济很不宽裕,在一个耻辱到无以复加的生存环境中,好人几乎都没有太多钱。
我也知道了你更多事业和生活上的艰难遭遇。
你的眼睛和灵魂是忧郁的,和你第一次见面,就让我想起很多年前,就看过的一部巴西电视连续剧《伊佐拉》,剧中伊佐拉未曾相认的亲生父亲对他说的那段话:“亲爱的姑娘,为什么你的眼睛这样忧郁?只有善良的人,才会忧郁啊!”。
亲爱的璎珏,具体什么时候加入蓬蒿持股,我们再商量。
灵魂上,我们先走在一起。
意志上,我们先忧郁着、善良着、温暖着、砥砺着,去一起保卫蓬蒿。
为了今后更多善良的人,不再忧郁!
只要我们还活着。
只要我们还渴望温暖、高贵、艺术地活着!
这是我今天下午在电话里最后和你说的话。
谢谢你,亲爱的璎珏!
王翔
2017.12.29
侯璎珏和王翔微信通信
侯璎珏和王翔微信通信
侯璎珏和王翔微信通信
侯璎珏和王翔微信通信
《后日之后》演出海报
《后日之后》演出剧照
《后日之后》演出剧照
《后日之后》演出剧照
《后日之后》演出剧照
《后日之后》演出剧照
侯璎珏、富大龙、王翔在蓬蒿剧场
My Life Invitation (The Invitation for shareholding of PengHao)
The 75th letter — To Hou Yingjue
Dear Yingjue,
I am writing to formally invite you to join the Stock Ownership Plan of the Penghao Corporation Limited.
This is the 75th life invitation that I’ve written (Invitation for Stock Ownership Plan).
I feel extremely sentimental while writing this to you.
You graduated from the Acting Department, Beijing Film Academy in 2001, together with many famous stars like Wang Luodan and Jia Nailiang.
Over the past 10 years, you have acted so many characters in TV series and films, like the Meng Kang in Hero Age, the Wang Qian in Who Should Look After Our Mother, the Bai Yulan in Secret War in E’mei, and the Sheng Rui in Swans Mate for Life... ...
Our first meet was in September this year, the 8th “Beijing·Nanluogu Lane Drama Festival”, the “Dancing” workshop of Yeren Daqing.
We greeted with each other in a rush, and I just remembered your slim figure, and your big eyes which somehow teemed with warmth and sorrow.
Later, at the beginning of this month, the play After the Day after Tomorrow composed and starred by you was displayed in the Penghao Theater, in the literature unit of the “Beijing·Nanluogu Lane Drama Festival”.
That night, your senior fellow Fu Dalong came to visit me in Penghao Theater, and he happened to know that you had a performance that night here, so I got a chance to deeply communicate with you, otherwise it would be impossible for us to have such an in-depth communication.
After the Day after Tomorrow is a play that contains a deep reflection on life, which is an embodiment of your view on life with tears, warmth and love.
The next day after the performance, you contacted me immediately. You told me you are desperate to set up your own drama troupe, and wanted to go back to the stage.
I related all the hardships you might would meet, and told you to make all the preparation.
You said you hoped to have more chance to give performance in Penghao.
You said you were afraid that it might be hard for your own troupe to get an approval from the authority, thus you hoped Penghao to represent for you.
I gave you my promise, “my pleasure”.
And I mentioned the Stock Ownership Plan, and invited you to safeguard Penghao together. And you agreed nicely.
But my heart ached even more severely.
Because I know you met lots of hardships while sticking to art, soul and life, with the deepening of our communication.
Such a perseverance for soul exists in an extremely hard living and art environment full of lies and filth, a plight where both of us are stuck.
You are not rich economically, and in such an extremely living environment, most good people are not rich.
I also know you have met much hardship in your career and life.
Your eyes and soul are blue. At the first meeting with you, I thought of a Brazilian TV series Izola which I saw long ago. Izola’s father told her, “my dear girl, why your eyes are so blue? Alas, only those good people are blue!”
Dear Yingjue, we can further discuss when you will join in the Penghao Stock Ownership Plan.
We will walk together in soul first.
We will be blue, be kind-hearted, be warm and be struggling to safeguard Penghao by will.
To make fewer people blue in the future.
If only we are still alive.
If only we still desire for living in warmth, in nobility, and in art.
This is what I told you on phone this afternoon.
Thank you, dear Yingjue.
Wang Xiang
2017.12.29
the chat history with Hou Yingjue
the chat history with Hou Yingjue
the chat history with Hou Yingjue
the chat history with Hou Yingjue
’s poster
’s stage photo
’s stage photo
’s stage photo
’s stage photo
’s stage photo
Hou Yingjue, Fu Dalong, Wang Xiang in the Penghao theaters
蓬蒿呼吁,王翔呼吁 Calls from Penghao Theatre and Its Founder Wang Xiang
我的倡议书——“算好生命这笔账,留住所有人心中的善和美”
招股邀请书——请加入持股蓬蒿计划 ,接受王翔生命邀请
王翔邮箱 Wang Xiang's E-mail:
王翔微信 Wang Xiang's Wechat:
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